Dennis Crow, AICP, received his BA, MS, and PhD in Public Administration and Urban Planning all from UT, Austin. He also did post-doctoral work at Dartmouth in interpretive methods and architecture; University of Illinois at Urbana-Champaign in history, social theory, and cultural significance of space and place in philosophy and literature, and UC Irvine in philosophy and literary criticism. At the time of publication, Crow was working at the Department of Housing and Urban Development, and is currently information architect at USDA Farm Service Agency.
This book is a challenge to both architects and planners to reevaluate their positions on the relationship between planning, theory, and the contemporary humanities, as well as provoke humanities scholars to critique their home cities/regions. Space is not a place, but “the relationships among places” (17). The “political implication of philosophical streets is that engagement for use and resistance of street-level bureaucracy is more important than ever to the life of theory and the practice of social change” (21).
Frederick Wherry, PhD in Sociology from Princeton University, is Associate Professor of Sociology at the University of Michigan, Ann Arbor. He is both a cultural sociologist who researches markets, as well as an economic sociologist who examines the motivating meanings in and from the market place. He has studied markets in Thailand, Costa Rica, and Philadelphia to better understand how cultural identity affects and improves opportunities within the global and local contexts.
In this book, Wherry holds that community stakeholders (local residents) can transform their neighborhoods through creativity and sweat equity, thus enhancing a neighborhood’s economic vitality and symbolic reputation/distinction (Bourdieu, 1989). The neighborhood in this case is Philadelphia’s Centro de Oro, or as was known from the mid-80s, “the Badlands,” a neighborhood beset by media’s binary narrative of “problem solvers” or “trouble makers” since the mid-80s. These nonmaterial constraints helped negatively shape not just how outsiders perceived the neighborhood, but how the neighborhood perceived itself. “Theirs is the story of how arts and culture contribute to neighborhood change” (21).